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Behind the Art

Meet the Artists

wibartist-asylum

Profile

Asylum

Asylum is a Los Angeles-based street artist whose work lives between grit and grace, public space and personal narrative. With stenciled lines and bold motifs, Asylum transforms city walls into emotional landscapes—raw yet refined, urban yet intimate.

Their murals often explore themes of belonging, identity, and transformation: a lone figure reaching skyward, walls layered with fragments of memory, all balanced by a deliberate sense of design. Working across alleys, storefronts, and community spaces, Asylum interacts with the city—not imposes on it—finding beauty in the overlooked and overlooked in the beautiful.

More than just visual impact, Asylum’s work invites pause. It’s the juxtaposition of anonymity and expression, silence and statement. Minimalist in palette but profound in message, these pieces reflect the layered complexities of life in Los Angeles—a city perpetually in motion, yet deeply rooted.

In a city filled with voices, Asylum’s speak softly, clearly, and always thoughtfully. They’re the kind of art that stops you mid-step—not by shouting, but by opening a quiet door in your mind.

Rare

Beauty

Asylum's Work

Why Street Art?

“Graffiti is fleeting by nature, often edgy pieces of beauty which challenge our notion of what is art and where it is viewed,” proprietor Sharon Kazan Harris explains. “New forms of art have always been met with resistance.  Art critics found Impressionism shocking: consider this review in The American Register in 1879 about an exhibition of Impressionist paintings: "It was worth seeing for the same reason that one would go to see an exhibition of pictures painted by the inmates of a lunatic asylum." Graffiti originated as an urban art form.  Now it is highly collected by fine art collectors.   It is only the beholder who can determine the beauty of a piece.  One must enjoy this art in the present since graffiti, like wine, is often fleeting."

Sharon Kazan Harris